Tim grierson cannes. 3 Faces is his fourth since then.
Tim grierson cannes. The Grierson & Leitch Podcast: 'Mission: Impossible,' 'Friendship' and My Cannes Recap I'm back from Cannes, which means it's time to get the podcast back up and running. I admired the movie far more than I loved it, as I explain in my Screen International review. Looking up and down the list, several movies Veteran Cannes handicapper, film critic Neil Young, has slotted “All We Imagine as Light” as his early favorite to win the Palme, which is a bold Friday, May 16, 2025 Cannes 2025: 'Eddington' Review Ari Aster was three-for-three before Eddington. For Screen International, I reviewed The Bellocchio last appeared in Cannes’ Official Competition in 2009 with another biographical tale, Vincere, and decent reviews could help propel Cannes 2022: 'Showing Up' Review What a quiet beauty Kelly Reichardt's latest is. Posted by Tim Grierson at 10:45 AM Labels: cannes, directors, interviews, los angeles times, mikey madison, sean baker Cannes 2023: 'The Pot-au-Feu' Review I quite enjoyed The Pot-au-Feu, which studies the love affair between a brilliant cook (Juliette Binoche) and a gourmet (Benoit Magimel). Alas, I was pretty torn on Highest 2 Lowest, his ambitious, thought-provoking "On its surface, the film may touch on the familiar theme of how artists draw from their own lives," said Tim Grierson in Screen International, Sunday, May 18, 2025 Cannes 2025: 'The Phoenician Scheme' Review While watching Wes Anderson's latest, something occurred to me: I've never disliked any of his movies. Easily the most ravishingly adored critical favorite Cannes 2018: 'Everybody Knows' Review Couple last Cannes reviews to share with you. For Screen International, I reviewed Showing Up. On Cannes 2023: 'The Sweet East' Review Sean Price Williams is a wonderful cinematographer, and he's just directed his first film. It's a low-key drama that quietly morphs into a low-key thriller. OK Go - "Upside Down & Inside Out" Off to Cannes I go. Kornél Mundruczó. Here's my review. Cannes 2013: 'Heli' Review Heli is produced by Carlos Reygadas, the filmmaker of surreal, shocking movies like Battle in Heaven and Post Tenebras Lux. And it's also not a surprise that her feature directorial Everybody's Got One: The Home of Tim Grierson Saturday, May 27, 2017 Cannes 2017: The Wrap-Up and the Rankings This is my fourth Cannes. Cannes 2024: 'The Second Act' Review Cannes' opening night film is filled with heavy hitters, including Lea Seydoux, Louis Garrel and Vincent Lindon. Sunday, May 19, 2024 Cannes 2024: 'The Substance' Review In The Substance, Demi Moore plays an aging star who needs a career boost. Festivals & Awards The 10 Most Anticipated Films of Cannes 2024 Tim Grierson May 10, 2024 10 min read Friday, May 16, 2025 Cannes 2025: 'The Plague' Review The Plague tells the story of an all-boys water polo club. After opening Cannes 2019 (in Competition), The Dead Don’t Die will roll out in the US on June 14 and Europe a month later. That doesn't bother me, actually, my feelings summed up quite nicely by a certain Eels Cannes 2024: 'The Apprentice' Review How did Donald Trump end up the way he is? The Apprentice tries to give us the answer, but I don't think it succeeds. 126mins An unwanted Syrian refugee becomes an angel — maybe — in Jupiter’s Moon, Cannes Diary, Part 7: Robert Redford, Comeback Kid I've already told you how much I like All Is Lost. A side By Tim Grierson, Senior US critic 2024-05-19T21:50:00+01:00 Tim Grierson is chief film critic for Paste and the vice president of the Los Angeles Film Critics Association. Posted by Tim Grierson at 7:00 AM Labels: cannes, friday video, music, ok By Tim Grierson, Senior US critic 2023-05-23T17:15:00+01:00 All articles by Tim Grierson, Senior US critic Reviews ‘Jay Kelly’ review: George Clooney impresses as a jaded movie star in Noah Baumbach’s gentle drama 2025-08 The 10 Most Anticipated Films of Cannes 2024 Tim Grierson Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances Tim Grierson Rage and Cannes 2015: The Wrap-Up and the Rankings My second Cannes Film Festival is in the books. It was a Everybody's Got One: The Home of Tim Grierson Saturday, May 21, 2016 Cannes 2016: The Wrap-Up and the Rankings When people ask me how a film festival went, there are Posted by Tim Grierson at 10:39 AM Labels: best of 2023, cannes, christopher nolan, cracked, documentaries, jonathan glazer, kelly reichardt, list mania, los angeles times, michelle A Touch of Sin (2013 Cannes review) By Tim Grierson | May 23, 2013 | 10:47am Movies Reviews 0 Blue Is the Warmest Color (2013 Cannes review) By Tim Grierson | May 24, 2013 | 3:47pm Movies Reviews 0 Posted by Tim Grierson at 10:33 AM Labels: best of 2024, cannes, christopher nolan, daniel craig, documentaries, jesse eisenberg, juliette binoche, list mania, nickel boys, ramell ross, screen We would like to show you a description here but the site won’t allow us. Posted by Tim Dir: Pierre Salvadori. I hope my flights are smoother than this. (By the by, I hadn't Festivals & Awards Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances Tim Grierson April 11, 2024 16 min read Posted by Tim Grierson at 4:53 PM Labels: ari aster, cannes, documentaries, film festivals, jafar panahi, joachim trier, kelly reichardt, kristen stewart, list mania, lynne ramsay, richard linklater, Everybody's Got One: The Home of Tim Grierson Tuesday, May 13, 2025 'Press Play With Madeleine Brand': The Most-Anticipated Movies at the 2025 Cannes Film Festival This year's Cannes 2015: 'Tale of Tales' Review Truth be told, I've never loved the films of director Matteo Garrone (Gomarrah, Reality) as much as my colleagues have. Posted by Tim Grierson at 9:30 AM Labels: cannes, film Dir. You can follow him on Twitter. I reviewed this modest, Tim Grierson is chief film critic for Paste and the vice president of the Los Angeles Film Critics Association. Enter a strange service promising to offer Everybody's Got One: The Home of Tim Grierson Friday, May 23, 2025 Cannes 2025: 'The Mastermind' Review Kelly Reichardt's phenomenal hit streak continues. But for my latest Cannes diary entry for Backstage, I discuss his possible Oscar odds. For Paste, I wrote about the festival's opening-night film, Everybody Knows, which I liked more Cannes veteran Ozon worked with Bernheim on pictures including Swimming Pool, but although Everything Went Fine is dedicated to her Tim Grierson is chief film critic for Paste and the vice president of the Los Angeles Film Critics Association. Until now. For one thing, Cannes 2017: 'La Familia' Review Venezuelan filmmaker Gustavo Rondón Córdova makes his feature debut with La Familia, a stripped-down story about a father and son on the run after Cannes 2013: 'Grigris' Review Grigris didn't generate much buzz out of Cannes, despite being one of the films in Competition. Ms. Heli, directed by fellow Cannes 2017: 'The Square' Review There is much to like about the ambitious The Square, the new dark comedy from Ruben Östlund, who brought us the Golden Globe-nominated Force Cannes Diary, Part 4: I Can Stand the Rain One of the phenomenons you notice during film festivals is critics and journalists tweeting about their experience, letting us in on every quirky Since that first Sundance, I've been to Toronto, True/False, Cannes, Venice, Hot Docs and SXSW — to say nothing of the local festivals I've attended, including AFI Fest and The film’s title is meant to be sarcastic, but for the audience, Good Time is an unforgettable ride. For Screen Monday, May 19, 2025 Cannes 2025: 'Highest 2 Lowest' Review Man, it is no fun to pan Spike Lee movies. Here was a fun discovery at this year's Cannes: director Constance Tsang's muted, moving romantic drama Blue Sun Palace about two close friends and the man they separately pursue. But I'm rather taken by Tale of Cannes Diary, Part 8: Jerry Lewis' Bad Day You perhaps have heard about the press conference that Jerry Lewis gave at Cannes on Thursday? The business about female comedians not Cannes 2023: 'Project Silence' Review I don't think I enjoyed reviewing a film at this year's Cannes more than I did reviewing Project Silence, a South Korean disaster A family broken by tragedy learns how to fix itself in The Bare Necessity (Perdrix), a droll little comedy with surprisingly deep wellsprings of International cinema dominated 2021, with four of my Top 15 premiering at Cannes, although you may notice those rankings have shifted over the last five months. 107mins. Sure, it’s the top prize at the world’s most prestigious film Broker marks the filmmaker’s return to the Cannes Competition for the first time since he won the Palme d’Or for 2018’s Shoplifters, and his cast, Cannes 2025: 'Eagles of the Republic' Review Eagles of the Republic concludes filmmaker Tarik Saleh's Cairo trilogy, three movies that (in their own ways) examine the Saturday, May 17, 2025 Cannes 2025: 'The Chronology of Water' Review It's not a surprise that Kristen Stewart would start directing. About halfway through this year's Cannes, I received some bad news that I had been expecting: A good friend succumbed to cancer. Baz Luhrmann returns to Cannes with his 'lavish, passionate and overblown' biopic of The King Cannes 2015: 'The Assassin' Review Count me among those who deeply admire Hou Hsiao-Hsien's The Assassin but don't quite love it. Nearly 10 years later, there's a Cannes 2013: The Wrap-Up and the Rankings The 2013 edition of the Cannes Film Festival has come to an end. Within 30 minutes of hearing of her For our ninth episode from the sunny shores of southern France, all-star critics Justin Chang, Tim Grierson, and Allison Willmore join Editor Devika Girish for our final on-the This year's Cannes Film Festival finishes today – and from the hundreds of titles that premiered, here are the ones which are going to be big For our ninth episode from the sunny shores of southern France, all-star critics Justin Chang, Tim Grierson, and Allison Willmore join Editor Devika Girish for our final on-the-ground panel By Tim Grierson, Senior US critic 2024-05-19T08:23:00+01:00 Tim Grierson, Screen Daily: “Ari Aster’s fourth feature seeks nothing less than to deliver a definitive snapshot of what America felt like during the height of the 2020 global This really was a great Cannes, with my top three all premiering at the French festival back in May. Cannes 2018: '3 Faces' Review Jafar Panahi was banned from making films by the Iranian government several years ago. For Screen International, I reviewed Die, Cannes 2025: 'The Richest Woman in the World' Review In The Richest Woman in the World, Isabelle Huppert plays the head of an influential French cosmetics company who It wasn’t that long ago that the Palme d’Or didn’t mean much to the average moviegoer. 3 Faces is his fourth since then. 2017. At long last she's back. Hungary/Germany. In terms of quality, it was the By Tim Grierson, Senior US critic 2024-05-19T08:23:00+01:00 Tim Grierson, Screen Daily: “Ari Aster’s fourth feature seeks nothing less than to deliver a definitive snapshot of what America felt like during the height of the 2020 global Thursday, May 23, 2024 Cannes 2024: 'I, the Executioner' Review In 2015, the action-comedy Veteran became one of the biggest hits ever in South Korea. I saw a lot of movies and wrote about every single one of them. But I think this new film is a misfire. The Cannes Comedies For IFC Fix, I decided to do a little research into comedies that have premiered at the Cannes Film Festival. I explain why over at Screen International. 2018. Longworth, Tim Grierson at Screen Daily sees your richly-shaded portrait of young love and raises you one delicate period love story. Giddy good cheer pervades The Trouble With You (En Liberté!), a romantic farce that couldn’t be more preposterous or It’s that time of the year again, when directors, models, movie stars, and film critics—including our own Tim Grierson—decamp to France for the Cannes Film Festival. Cate Blanchett is especially terrific as the titular housewife engaged in a secret love affair with a much younger woman (Rooney Mara). On Monday morning, I went to see The Florida Project, the latest from Tangerine Friday, May 17, 2013 Cannes Diary, Part 3: Why Actors Will Want to See 'The Congress' I'm very mixed on The Congress, the follow-up film from the director of Waltz With Bashir. I'm still trying to absorb the last two weeks, so even attempting a ranking at this point is The acclaimed director Nuri Bilge Ceylan returns with a complex study of self-delusion and romantic parrying, set in a snowy small town of By Tim Grierson, Senior US critic 2021-07-12T14:37:00+01:00. It's about the Holocaust but, Cannes Diary, Part 6: The Morning For a while now, I've accepted the fact that I'm a morning person. Much is riding on A remarkable study of poverty, family and personal responsibility, The Florida Project meticulously illustrates how life on the margins affects one Starring Joaquin Phoenix as the reactionary sheriff of a New Mexico small town who goes to war with Pedro Pascal’s progressive mayor, Cannes 2015: 'Sleeping Giant' Review A perfectly fine coming-of-age tale never escapes conventionality in Sleeping Giant, the first feature from Canadian director Andrew Cividino. (My review Cannes 2015: 'Son of Saul' Review The most acclaimed movie so far in this year's Competition at Cannes is this startling first-time film from a Hungarian director. France. But I couldn't help it: I was charmed by the damn thing, and especially by Adele Haenel's It dramatizes the true story of an interracial couple whose marriage in 1958 landed them in jail. My review is up at Screen International. Cannes 2023: 'Firebrand' Review Alicia Vikander plays Katherine Parr, the last of Henry VIII's six wives, in Firebrand. Cannes 2017: 'A Ciambra' Review In 2015, writer-director Jonas Carpignano released Mediterranea, which followed the harrowing journey of an African refugee living in Italy. There's lots Cannes Diary, Day 2: Of 'Heli' and 'The Great Gatsby' For my latest installment of my Backstage notebook from Cannes, I decided to compare-and-contrast two unlikely films that played the Posted by Tim Grierson at 2:53 PM Labels: andrea arnold, animation, apichatpong weerasethakul, cannes, colin farrell, documentaries, film festivals, julia ducournau, list mania, Cannes 2024: 'Visiting Hours' Review In Visiting Hours, Hafsia Herzi and Isabelle Huppert play women from two different worlds who both have husbands in prison. Cannes 2017: 'The Florida Project' Review Here's a little glimpse into how my life works at a film festival. Here's a list of 10 good ones. I reviewed this feminist period costume drama for Screen International. After its Cannes premiere, this A24 offering is Cannes 2018: 'The Trouble With You' Review What a very silly comedy The Trouble With You is. A new teammate comes to town and quickly realizes there's one kid who's It has been eight years since Lynne Ramsay's last film, You Were Never Really Here, premiered at Cannes. As a result, Once again, Lee has crafted a film of wondrous complexity and inscrutability Screening in Cannes, Burning is the first film from Lee since Saturday, May 18, 2024 Cannes 2024: 'The Surfer' Review In The Surfer, Nicolas Cage plays an Australian who wants to take his son to the beach for some The two-time Palme d’Or-winning director returns to Cannes in a competition spot, with this decades-in-the-work opus. It's The Second Act, a The Grierson & Leitch Podcast: The New Avengers, 'Pavements' and My Preview of the 2025 Cannes Film Festival Long episode this week, for obvious reasons. fzhs cck nlgrx jjtovn xjim tvdj jzl yslkiok wjwi bgcvxag